279
1.0

黑客帝国3:矩阵革命

导演:
拉娜·沃卓斯基,莉莉·沃卓斯基
主演:
基努·里维斯,劳伦斯·菲什伯恩,凯瑞-安·莫斯,雨果·维文,贾达·萍克特·史密斯,凯特·宾汉,玛丽·爱丽丝,莫妮卡·贝鲁奇,埃茜·戴维斯,克里斯托弗·卡比,罗伯特·马莫内,罗宾·奈文,吉娜薇·欧瑞丽,诺娜·加耶,纳撒尼尔·利斯,哈里·列尼斯,哈罗德·佩里诺,鲁伯特·雷德,凯文·迈克尔·理查德森,大卫·罗伯茨,布鲁斯·斯宾斯,吉娜·托瑞斯,克莱顿·华生,赫尔穆特·巴凯蒂斯,邹兆龙,乔·曼宁,Tanveer,K.,Atwal,拉黑·休姆,康奈尔·韦斯特,伯纳德·怀特,朗贝尔·维尔森,安东尼·布兰登·黄,安东尼
别名:
未知
1.0
279人评分
英语
语言
2003-11-05
上映时间
未知
片长
简介:

  第二集中,尼奥(基努·里维斯 Keanu Reeves 饰)没有能从内部摧毁“母体”,他的身体在真实世界的飞船上陷于昏迷,思想却被困在介于“母体”和真实世界的中间地带,这个地方由“火车人”控制。墨菲斯(劳伦斯·菲什伯恩 Laurence Fishburne 饰)和崔妮蒂(凯瑞-安·莫斯 Carrie-Anne Moss 饰)等人知道了尼奥的情况,在守护天使的带领下, 找到了“火车人”的控制者梅罗纹奇,经过一番激斗,将尼奥救了出来。
  此时,电子乌贼部队对锡安发起了猛烈的攻击,人类组织所有机甲战士展开顽强的抵抗,形势危在旦夕;尼奥和崔妮蒂驾驶了一艘飞船克服重重困难,到达机器城市,尼奥终于见到了机器世界的统治者“机器大帝”,双方谈判并达成了协议:尼奥除掉不受“母体”控制的史密斯,以换取锡安的和平。
  在“母体”中,尼奥和史密斯展开了关系人类生死存亡的最后决斗。

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主演:特瑞·亚历山大,约瑟夫·佩拉图,贾拉斯·康罗伊,理查德·雷伯蒂,舍曼·霍华德,约翰·艾姆普拉斯,格里高利·尼克特洛,霍华德·伯杰,J.R.,布克沃尔特,埃弗雷特·伯勒尔,阿道夫·恺撒,迈克尔·迪克,唐纳德·法默,保罗·加涅,杰夫·莫纳汉,乔治·A·罗梅罗,Gary,Howard,Klar,Don,Brockett,William,Cameron,John,Vulich,Gabriel,Bartalos,Bryan,Gregory,Robert,Martin,Mark,Steensland,Vincent
简介:

僵尸侵染的范围持续扩大之余,人类也加紧进行针对性研究。研究员莎拉(Lori Cardille 饰)和直升机驾驶员约翰等人空降到矿道改建的地下研究中心,罗根医生在这里研究僵尸习性,并得到了一些初步成果。负责中心安全与捕捉僵尸的军人们对暗无天日的地下生活早已厌倦,每天面对同袍死去、消息隔绝、研究进展缓慢让他们暴躁易怒,并在长官罗德(Joseph Pilato 饰)带领下公然反抗项目负责人。精神濒临崩溃的士兵米格尔因僵尸啮咬失去一臂,同时军人与研究人员的矛盾全面爆发,罗德凶相毕露,将莎拉等人赶入满布僵尸的坑道,米格尔则将僵尸放入中心,失控的局势中,莎拉等人全力求生……   本片获1985年加泰罗尼亚国际电影节最佳女演员奖。

876
1985
活死人之日
主演:特瑞·亚历山大,约瑟夫·佩拉图,贾拉斯·康罗伊,理查德·雷伯蒂,舍曼·霍华德,约翰·艾姆普拉斯,格里高利·尼克特洛,霍华德·伯杰,J.R.,布克沃尔特,埃弗雷特·伯勒尔,阿道夫·恺撒,迈克尔·迪克,唐纳德·法默,保罗·加涅,杰夫·莫纳汉,乔治·A·罗梅罗,Gary,Howard,Klar,Don,Brockett,William,Cameron,John,Vulich,Gabriel,Bartalos,Bryan,Gregory,Robert,Martin,Mark,Steensland,Vincent
等待方舟
515
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更新时间:04月17日 19:23
主演:耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
简介:

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

1953
1985
等待方舟
主演:耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
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